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Friday, September 10, 2010
Displaying 1 through 10 of 37 total records.
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ARTIST: NYMPHOMATRIARCH
TITLE:
LABEL: HYMEN |

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| DESCRIPTION: All pieces were assembled in winnipeg, canada by aaron funk and rachael kozak. may 1st - may 13th 2002. every sound was synthesized from their privately recorded debaucharies committed while on tour in london [england], paris [france], basel [switzerland], antwerp [belgium] and winnipeg [canada] hecate’s rachael kozak has a thing with collaborations. she paired up earlier this year with lustmord’s brian williams on law of the battle of conquest, a visceral, percussive revision of lustmord’s drone aesthetic. now she’s shacking up with venetian snares’ aaron funk. literally. nymphomatriarch, a joint project between venetian snares and hecate, is 100% composed of sounds the duo made having sex together. but it’s not porno music. nymphomatriarch is cutting-edge drill beats and raucous noise that puts your ears in a vice. the tempestuous breaks venetian snares is known for spiral down to the very pits of hell and back thanks to hecate’s visceral atmospheric treatments, returning as mordant sound meant to corrode the soul. nymphomatriarch bristles with the crisp signature of traditional breakcore dynamics, yet unlike many albums in the genre, nymphomatriarch retains a sense of complex ambient sound and depth throughout its six tracks - this isn’t just another manic break record composed entirely on a hard drive. in other words, it’s everything you’d expect from a collaboration between venetian snares and hecate. nymphomatriarch just happens to be made from sex sounds. like matmos or ming + fs, nymphomatriarch manipulates conventional found sound into musical themes. but unlike matmos, who recorded plastic surgery sounds for their album a chance to cut is a chance to cure, or ming + fs sampling car doors, windshield wipers, and slamming trunks to produce music for a nissan commercial, nymphomatriarch employs the noise of anal and oral sex, straightforward copulation, “microphone insertion” and other privately recorded debaucheries committed while venetian snares and hecate were on tour together in europe and canada last year. those snapping high-hats running throughout “blood on the rope?” ass slaps torqued and looped like madness. the whizzing black noise of “input” and “outlet?” zippers ripping open and clothes flying off. the fiendish cries and murky ambience overshadowing “amaurophilia” and “hymen tramp choir?” just think about it for a second…or maybe not, suggests kozak when asked about the inevitable hype building up around nymphomatriarch. “at this point i don't care how or what people think of the album, we made it for ourselves really, a kind of personal investigation,” she says. “obviously people get hung up on the idea of it, but i think when they actually listen to the record it will be another story.”
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| ITEM NUMBER: 05107 |
FORMAT: CD |
PRICE: $13.99 |
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ARTIST: PEARCE, JEFF
TITLE: Bleed
LABEL: HYPNOS |

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| DESCRIPTION: Many ambient musicians strive to attain an affect of pure atmosphere and tone color, and in that sense many avoid personalizing their music. Jeff Pearce has taken a different approach this time, and openly admits that the material on BLEED, inspired by recently-revisited entries to his teen-age journal, is an emotional journey, representing at once a remembrance, an exploration, and a catharsis.
As with previous Pearce recordings, all sounds are made by electric guitar. The sound, too, has evolved from previous Pearce works. The tone has a rich and mature quality, reminding one of the cello recordings of David Darling even as the playing, here, is more recognizably guitar-like than is usual for Pearce. The music on Bleed reveals a growth and embracing of melody which is rare in ambient music circles, and exhibits an originally musical and structured approach to composition . There are still a few examples on BLEED of Jeff Pearce's mastery at creating slow moving ambient drifts, but these are now informed with a new asthetic, one of artistic miniatures carefully brought to life over time.
Early indications are that BLEED may well surpass TO THE SHORES OF HEAVEN as the summit of Pearce's work in the estimatation of his many listeners. BLEED was first offered for sale at The Gathering concert series performance by Pearce (supported by Hypnos artists Mike Griffin & Dave Fulton), and Pearce's Gathering performance prominently featured material from BLEED. Audience reaction to Pearce's BLEED material was incredibly positive. |
| ITEM NUMBER: 04754 |
FORMAT: CD |
PRICE: $11.99 |
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ARTIST: ARCANA
TITLE: Body Of Sin
LABEL: COLD MEAT INDUSTRY |
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| DESCRIPTION: Special Price
We who thought we saw the last breath of Arcana with "Last Embrace" were all wrong. The title did NOT indicate that we got a last embrace, it indicated the last embrace of an era that had to end sooner or later. The two new songs on "Body of Sin" are more consequential and mature than ever before, with an acoustic approach and years of experience giving result in a diverse and professional sound and performance. "We rise above" gives us an intimate view into Peter's thoughts and ways of working with real tympanis, acoustic guitars and hammered dulcimer. "Body of sin" is probably the most different song we have heard in the history of Arcana. With this new single we see Arcana evolving from a child into a grown individual and the sound has never before been this honest or more brilliant. |
| ITEM NUMBER: 04347 |
FORMAT: 3” CD |
PRICE: $4.99 |
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ARTIST: SLEEP RESEARCH FACILITY
TITLE: Dead Weather Machine
LABEL: COLD SPRING / MANIFOLD |

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| DESCRIPTION: Dark exquisite ambient, simply perfect The titanic waves of impenetrable sonics slowly swing from out of the far-away darkness like the tentacles of some galaxy-sized beast, moving through clouds with the power of a silk-covered sledgehammer, thudding at the other side of the world. Several tracks of slightly differing technique are just chilling, huge and deep...scary deep. Like the electrically-charged shade of Lustmord's 'Place Where The Black Stars Hang'. Monstrous. Somehow threatening. The previous SRF record, 'Nostromo' (CSR34CD) used the first few seconds of the film 'Alien' to create an expansive, chilling work of ambient. Here, the artist was living in a small flat in the UK with a heating/ac unit that was slowly breaking down, clogged with dust, slowly choking on it's own decay. Dead Weather Machine tells monstrous tales of things and places and feelings that it's common beginnings would never seem to suggest. But then imagine being as small as a piece of dust, trekking through some enormous, dying mechanical landscape, the sounds of world-sized storms swirling all around you. A microscopic entity, floating for ages through the channels and chambers of an enormous, dying machine, a machine that makes the weather for an entire world. A machine that is slowly dying. |
| ITEM NUMBER: 09947 |
FORMAT: CD |
PRICE: $13.99 |
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Displaying 1 through 10 of 37 total records.
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