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Friday, September 10, 2010
Displaying 1 through 10 of 11 total records.
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ARTIST: ISOLRUBIN BK (LUSTMORD)
TITLE: Crash Injury Trauma
LABEL: SOLEILMOON |
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| DESCRIPTION:
Investigation of an automobile death is frequently inadequately conducted by medical investigators, partly because important questions are not anticipated at the time of the investigation. There are many facets of the investigation and each one has far-reaching consequences. The importance of proper handling of an automobile fatality cannot be over stressed. The following components of investigation procedures should not be neglected:
[1] Scene investigation with photographs.
[2] Complete autopsy with recording of injuries by description, drawings and photographs.
[3] Evidence collection - clothing, glass traces, oil, paint, rust, and blood spots.
[4] Follow-up studies - blood typing, analysis for carbon monoxide (if fire), alcohol (always), amphetamines (especially in truck drivers), and other drugs (if indicated).
“Crash Injury Trauma” is a shocking and disturbing album, unflinching and relentless in its fascination with violent car accidents. Tires skid and horns blare, followed by the sickening sounds of crashing metal and shattering glass, screams, sirens and heart-pounding bass. It’s a cruel, sadistic and horrifying tour de force in the ambient and power electronics genre.
B. Lustmord released “Crash Injury Trauma” in 1993, as a side project, under the pseudonym Isolrubin BK. Following “Heresy” and “The Monstrous Soul”, and preceding “The Place Where The Black Stars Hang”, the album was recorded during what is now considered a pivotal period in the British artist’s career. Out of print for nearly a decade, this new 2009 edition has been remastered from the ground up, and is presented in completely redesigned packaging.
B. Lustmord has been actively pushing the boundaries of sound for nearly 30 years and has a remarkably broad and diverse list of credits, including an extensive discography of his own highly regarded recordings, including fifteen Lustmord releases. He has collaborated with a wide variety musicians, ranging from Industrial pioneers Throbbing Gristle and SPK to alt rock mainstays Tool and Melvins. He has also worked on television shows, commercials and games, including Unreal Tournament III and Assassin's Creed, as well as on more than forty motion pictures, including The Crow, The Craft, Pitch Black and Underworld. Based in Los Angeles, he is currently he is working on new Lustmord material as well as Puscifer, an ongoing project with Maynard James Keenan of Tool and A Perfect Circle.
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| ITEM NUMBER: 00343 |
FORMAT: CD |
PRICE: $10.99 |
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ARTIST: LUSTMORD
TITLE: Heresy
LABEL: SOLEILMOON |
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| DESCRIPTION: It’s not often that an album comes along that both initiates and defines a genre.
From the deepest vault at Soleilmoon, precisely such a cherished but long unavailable classic has been remastered, repackaged and re-issued. “Heresy”, the album that launched and defined the dark ambient genre when it was first released in 1990, has been hailed by critics and fans as one of the most important works of its time. Nearly 15 years after its release it regularly features on top-ten lists of ambient music. “Heresy” was recorded in various subterranean locations and manipulated in the studio with Andrew Lagowski providing engineering and additional programming. It was the first Lustmord album to feature extensive sampling and computer assisted sound design. Recent improvements in sound technology permitted Lustmord to re-master and significantly improve on the original recordings for this new version, which comes in a digipak and even bears a new catalog number.
Based on recognition established through recordings like “Heresy”, Brian Williams, the man behind Lustmord, went on to work as a sound designer in Hollywood and has over 40 major motion picture credits as well as TV, games and now commercials. His resume includes musical collaborations with The Melvins, Adam Jones (Tool), Chris & Cosey, Coil, Paul Haslinger (Tangerine Dream), SPK, Robert Rich, Current 93 and Nurse with Wound. He has done remixes for Jarboe (Swans), Venetian Snares, Lori Carson and Mortiis. From 1985 until 1999 he ran Side Effects Records, the label launched by SPK, releasing more than 30 albums. As Lustmord he has released 11 albums since 1981.
“Heresy” stands as Lustmord’s signature work, the gauntlet that birthed a genre, and this new edition shows even more why it’s been a best seller for such a long time.
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| ITEM NUMBER: 01453 |
FORMAT: CD |
PRICE: $10.99 |
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ARTIST: LUSTMORD vs. METAL BEAST
TITLE: Lustmord vs. Metal Beast
LABEL: SIDE EFFECTS |
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| DESCRIPTION: Repressed, Lower Price!
A 47 minute collaborative performance that was broadcast live on KUCI, Orange County, California on June 20, 1997. Mostly improvisational, it's a powerful collision of noise and rhythm. Here’s the text from the original press release: This album is the result of a collaborative performance broadcast live on KUCI 89.9, Orange County, California, June 20 1997. The performance was arranged at short notice, and structured so as to be largely improvisational. While musical fads and fashions all too often dictate form and function, neither Lustmord nor Metal Beast desire to be constrained by definitions, and as such the results are a powerful, collision of noise and rhythm, with no quarter given to compromise.
"We leave imitation to others. The cautious need not apply."
Shad T. Scott (Metal Beast) is the programmer for producer Glenn Ballard. He has worked on albums by numerous artists, with Aerosmith, Terrence Trent Derby and Alanis Morrissette being only recent examples. He is owner of the label Isophlux based in Los Angeles, has recorded a series of challenging idm (“Intelligent Dance Music") releases, and is currently doing remix work for the Sneaker Pimps.
Brian Williams has been recording under the name Lustmord since 1980, and this is his tenth album release. He is the owner/manager of Side Effects and as Music Sound Designer for Graeme Revell has provided sound for two dozen movies, including, Strange Days, From Dusk To Dawn, The Craft and Spawn as well as additional music for both The Crow movies.
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| ITEM NUMBER: 00431 |
FORMAT: CD |
PRICE: $8.99 |
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ARTIST: LUSTMORD
TITLE: Metavoid
LABEL: NEXTERA |
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| DESCRIPTION: The seventh Lustmord release, and the first since 1994's "The Place Where The Black Stars Hang", "Metavoid" presents the logical development of that unmistakable Lustmord sound and pushes further into uncharted depths. "The human mind is, and will forever remain, incapable of comprehending the many depths and layers that encompass the universe within which we live. We
construct ever changing theoretical and semiotic perspectives in an attempt to map and decode the unknown, but meaning remains incomprehensible.
Through endless corridors of silence and dread, deeper than vacuum, beyond infinity and the realm of measurement, ideographic patterns do not emerge. Our role is insignificant, and is futile at best. The sum of knowledge is nothingness. Outside the narrow confines of our intellect, larger forces are at play, and some things may best remain unknown. Metavoid : A soundtrack for the apocalypse." |
| ITEM NUMBER: 04697 |
FORMAT: CD |
PRICE: $15.39 |
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ARTIST: LUSTMORD
TITLE: Place Where the Black Stars Hang, The
LABEL: SIDE EFFECTS |
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| DESCRIPTION: “The Place Where the Black Stars Hang” was first released
in 1994 on Side Effects, via Soleilmoon and while the earlier Lustmord album "Heresy" (Soleilmoon) gave birth to the "dark ambient" genre, it is “The Place Where the Black Stars Hang” that defines it. It’s a work regularly cited by critics, audiences and musicians as being amongst the very best and most influential albums of its decade .
“Black Stars” has been unavailable since 2002. It has been re-mastered and given new artwork for this edition. The differences are subtle yet powerful, giving the album a more nuanced feeling of space and detail than ever before.
Based on recognition established through recordings such as “Black Stars”, Brian Williams, the man who is Lustmord, went on to provide music and sound design for numerous major motion pictures, with credits on over 40, including The Crow, The Negotiator, Pitch Black, The Saint and Underworld. He has also since scored music for video games and television, and provided sound design for commercials, including Nike and Budweiser. His resume includes work with Tool, Melvins, Chris & Cosey, Coil, Paul Haslinger (Tangerine Dream), SPK, Robert Rich, Current 93 and Nurse with Wound. He has done remixes for Jarboe (Swans), Venetian Snares, Lori Carson, Tool and Mortiis. From 1985 until 1999 he ran Side Effects Records, the label launched by SPK, releasing more than 30 albums. As Lustmord he has released 11 albums since 1981.
Oft imitated, but never equaled, Lustmord: The Power of Sound.
Lustmord website: http://www.lustmord.com/ |
| ITEM NUMBER: 07597 |
FORMAT: CD |
PRICE: $14.99 |
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ARTIST: ARECIBO (LUSTMORD)
TITLE: Trans Plutonian Transmission
LABEL: SOLEILMOON |
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| DESCRIPTION:
Sources for cosmological activity utilized include: pulsars, quasars, thermal radiation, synchroton radiation, electron particle interaction, radio galaxies, remains of supernova explosions and background radiation.
This activity is monitored by the Jet Propulsion Laboratory in Pasadena, California. The command center of NASA’s Deep Space Network, a series of radio telescopes located at Goldstone, California, Madrid, Spain and Canberra, Australia.
Arecibo’s “Trans Plutonian Transmissions” was first released by German label Atmosphere in 1994. It has been out of print for nearly a decade, and, whenever a rare copy appears for sale, changes hands for ridiculous prices. This new 2009 edition has been remastered from the ground up, and is presented in completely redesigned packaging.
Interviewed by AmbiEntrance, B. Lustmord described Arecibo as “a side project of sorts, where I indulge myself in music that doesn't fit into the Lustmord concept.” Using audio recordings of quasars, pulsars and other deep space sources, B. Lustmord weaves a deeply haunting and atmospheric album. Reviewing the music for Amazon.com, Yorgos Dalman captured the essence of the recording perfectly when he wrote “The entire album could indeed be the soundtrack to the universe itself, with senses of vast cosmic plains, empty voids, infinite darkness, lonely, ever turning planets and immense large, desolate carpets of stars.”
B. Lustmord has been actively pushing the boundaries of sound for nearly 30 years and has a remarkably broad and diverse list of credits, including an extensive discography of his own highly regarded recordings, including fifteen Lustmord releases. He has collaborated with a wide variety musicians, ranging from Industrial pioneers Throbbing Gristle and SPK to alt rock mainstays Tool and Melvins. He has also worked on television shows, commercials and games, including Unreal Tournament III and Assassin's Creed, as well as on more than forty motion pictures, including The Crow, The Craft, Pitch Black and Underworld. Based in Los Angeles, he is currently he is working on new Lustmord material as well as Puscifer, an ongoing project with Maynard James Keenan of Tool and A Perfect Circle.
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| ITEM NUMBER: 10528 |
FORMAT: CD |
PRICE: $10.99 |
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ARTIST: LUSTMORD
TITLE: [Transmuted]
LABEL: HYDRA HEAD |
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| DESCRIPTION: Dub remixes from Lustmord's [ O T H E R ] album, by Justin K. Broadrick (Jesu, Godflesh, Final) and Lustmord. Featuring Adam Jones (Tool) and Paul Haslinger.
1. Dub Awakening (Justin K. Broadrick Remix)
2. Er Dub Us (Lustmord Remix) |
| ITEM NUMBER: 10774 |
FORMAT: 12” |
PRICE: $11.99 |
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Displaying 1 through 10 of 11 total records.
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